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created shadow is perfectly sharp at the edges since it was cut from an actual layer, so it will need some fuzziness around the edges in order to look real Look at the other shadows in the scene to determine how sharp the edges of your fake shadow need to be in order to blend in Now choose Filter, Blur, and then Gaussian Blur to bring up the Gaussian blur panel, which will do an amazing job of softening up the edges of your fake shadow Gaussian blur is extremely powerful, and available in most image editing packages, and you will find it among one of the most widely used tools, especially when compositing or drawing cartoons As shown in Figure 12-21, a little bit of Gaussian blur does wonders to the new shadow layer, making it look extremely realistic Painting a similar shadow by hand would have taken a lot more time and eye hand coordination When you have the blur set the way you like it, press OK to apply the transformation Now you can go back and tweak the opacity if you think it is needed in order to make the new shadow look

This example shows a Storyboard defined as a trigger. But the official Silverlight documentation included with the SDK recommends against using a trigger, as visual states (covered in chapter 23) and behaviors are often better ways to start the animation. Either way, the Storyboard provides a way to logically organize your animations. These animations are all about changing a visual property over time. As you ve seen, this process works in a linear fashion. To create even more dynamic visual effects, it s important to consider using a technique known as keyframing.

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In the realm of traditional animation, animators will often present a high-level overview of a story by drawing out the main images. These images generally represent the beginning and ending points of a transition; the endpoints represent the key frames within an animation. Once the keyframes are created, the process of creating the animation in between them is fairly straightforward. Within software, this process of creating the in-between frames is known as interpolation or tweening.

exactly like the other shadows in the scene With the proper opacity and Gaussian blur, the shadow will look like the real deal So far so good, but the shadow seems to extend past the roof of the house into thin air, so it needs a little trimming No big deal, just use the polygon or freehand lasso tool to select the areas of the shadow you do not want, and then select Edit and Cut to trim them away As shown in Figure 12-22, the lasso can be used to cut or copy certain areas of a layer, which is why it is such a useful tool Now the shadow looks good, the UFO is pasted in the scene with no obvious jags around the edges, brightness and contrast looks good on all layers, but there is one problem that even a newbie would notice; the reflections in the bowl! Yes indeed, the reflection of a picture frame from the living room and my own head are tale signs of fakery and must be fixed before I can send this photo to the FBI Another great tool is the Healing Brush, which will sample one area of an image and either directly replace it with another, or fudge the

The Windows application we created in 14 has a DataGridView control through which we viewed the database information For whatever reason, the web application equivalent of the Windows DataGridView control does not have the same name, but a slightly different one, GridView

To firmly grasp the concept of how keyframe animations can be used, let s consider the task of animating a bouncing ball. If you were to attempt to animate an ellipse, the ball may look like that in figure 22.5 over some period of time. The arrows shown in this figure represent two things within the animation. They represent the direction that the ball is bouncing and the parts of the animation created via interpolation. This process of interpolation enables you to ignore having to define the To, From, and By property values you were using earlier. Instead, you must create a KeyFrame for each discrete location within an animation. Listing 22.9 shows the XAML to reproduce the animation shown in figure 22.5.

two together to make a smoother transition Besides photo fakery, the healing brush is great for removing litter from a photo, erasing unwanted graffiti, or simply hiding small objects that take away from a photo The healing brush will do a

<Canvas x:Name="LayoutRoot" Background="White"> <Canvas.Triggers> <EventTrigger RoutedEvent="Canvas.Loaded"> <BeginStoryboard> <Storyboard x:Name="myStoryboard"> <DoubleAnimationUsingKeyFrames Storyboard.TargetName="myEllipse" Storyboard.TargetProperty="(Canvas.Left)"> <LinearDoubleKeyFrame KeyTime="00:00:00" Value="0" /> <LinearDoubleKeyFrame KeyTime="00:00:01" Value="77" /> <LinearDoubleKeyFrame KeyTime="00:00:02" Value="148" /> <LinearDoubleKeyFrame KeyTime="00:00:03" Value="223" /> <LinearDoubleKeyFrame KeyTime="00:00:04" Value="315" /> <LinearDoubleKeyFrame KeyTime="00:00:05" Value="397" /> </DoubleAnimationUsingKeyFrames> <DoubleAnimationUsingKeyFrames Storyboard.TargetName="myEllipse" Storyboard.TargetProperty="(Canvas.Top)"> <LinearDoubleKeyFrame KeyTime="00:00:00" Value="0" /> <LinearDoubleKeyFrame KeyTime="00:00:01" Value="132" /> <LinearDoubleKeyFrame KeyTime="00:00:02" Value="42" /> <LinearDoubleKeyFrame KeyTime="00:00:03" Value="132" /> <LinearDoubleKeyFrame KeyTime="00:00:04" Value="81" /> <LinearDoubleKeyFrame KeyTime="00:00:05" Value="132" />

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